Understanding Compression - Article by Douglas Taylor
A compressor reduces the dynamic range of your audio file. This means it reduces how loud some notes are and it also shrinks the difference between the loudest and softest notes in your audio.
This will even out your performance. Image a rock singer dancing around on stage. He is swinging the microphone wildly as he dances around sometimes singing right into the microphone and other times the mike may be a foot away. Compression is the perfect tool for this job lowering the singing when he is right into the mike and raising it when the mike is far away.
Common Compressor Settings
We will look at common settings to help your understanding of the correct way to use compressors.
Threshold: When your signal rises above a preset point the compressor begins to work. When the signal goes below this point the compressor stops working. The compressor only compresses when the signal goes above this preset point. The rest of the time it just sits there doing nothing.
Hard Knee/Soft knee: If the compressor kicks in suddenly as soon as the threshold is met it is known as hard knee compression. If the compressor starts gradually you have soft knee compression. Most compressors will have a switch to let you choose which type you want. Most of the time soft knee will sound more natural.
Ratio: This setting will show you how much effect the compressor has on your signal. Your ratio choice means that for every decibel your audio goes over the threshold it will be reduced by a certain amount. If your audio goes 4 decibels over your threshold setting your output from the compressor will only be 2 decibels louder. This would be a 2:1 ratio.
This only works when your signal goes above the threshold setting. If you are below this setting the compressor will just sit there.
Attack: The attack setting controls how fast the compressor starts working when the signal goes above the threshold.
Release: This setting controls how fast the compressor will let go when you go below the threshold.
Compression is one the most misused tools in your recording tool kit. Most software compressors have great presets. I almost always start at one of the presets and adjust slowly and listen the whole time to what the changes are doing to the sound of the audio.
Less is better when it comes to compression Avoid changing those settings too much. Get a handle on compression and your audio files will sound more professional than they ever have.
About the Author - Doug Taylor has been creating audio online since 1999. Download your free 16 page special report http://www.create-streaming-audio.com/csa_ezine.html for streaming audio tips.<< prev - Articles Home - next >>
Recording Microphones - Article Directory
- Recording a Choir - Location and Microphone Techniques to make high quality choir recordings.
- Recording Drums - The best ways to record Bass and Snare Drums.
- Recording a Guitar Amplifier - How to mic up a Guitar Amplifier.
- Recording Audio for a Website - Top Tips for buying a microphone to record website audio.
- Cordless Microphones - Buying a cordless / wireless microphone - thing to look for.
- Understanding Compression - Using a compressor to get the most out of your microphone.
- Choosing the Right Microphone - Picking the right mic for a recording session.
- Headsets Microphones - choosing the right one.
- Microphones for Stage and Live - Best practices when using mics for live work.
- Sennheiser MX 500 Earbuds - Product Review
- Shure E2 Earbud - Product Review
- Things To Look For When Buying A Karaoke Microphone
- Shure SM 7 - dynamic microphone review
Recommended Books | Recording Articles | Links / Manufactures